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Waiting for the Heave

by Syd Kitchen & The Utensils

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1.
Marcus 04:34
You walked across the platinum floor to meet the Eastern plane I was huddled in a shelter with you family At the customs gate you turned to wave me and in the morning rain You became a candle A naked flame Melting the cold wind that was blowing you away Oh Marcus I'd heard you sing of India You'd called is wise and free You'd said that man is destined to be searching And I know that freedom called you I hope you live to be The naked candle I still see Melting the cold wind that blew you away Oh Marcus You know sometimes with my music when I need to feel strong I think about the distance of our friendship And I feel for what you're into It grieves me now you're gone So I let the words hang from this song They melt the cold wind that blew you away Oh Marcus Now if you ever hear the forest when she calls to those who roam In between her perfect stillness she might beckon you And if you ever give your body to the road that leads you home Come feed the candle It burns alone Melting the cold wind that blew you away Oh Marcus stay
2.
I once believed in idyllic condition and breaking promises was afternoon fun Now I've grown up, my head's been sewn up Do unto others as I would have myself done The game's a natural, no matter how you see it You learn the rules, you join a side It's all so comfy, enough to make you jumpy to know some muther's gonna take you for a ride Don't despair There's a lot of us out there We're the army of winners and losers Don't be sad, oh it's not so bad You see life, life's a jungle And we're the animals running around Oh, kicking up the dusty ground I once believed in the perfect condition and people catching was my afternoon sport And now I've gown up, I better own up Look in my basket, see how many I've caught The games a cinch, no matter how you see it You place your bets, you join the race Oh, it's all so goofy, it's all so spooky Knowing some mother's going to push you in the face I once believed in the dream condition and breaking promises was afternoon fun Now I've grown up, my head's been sewn up Who cares at all about the damage done? Oh, the game's a natural, no matter how you see it You either join in or you let it pass It's all so relative, enough to make you negative To know so muther's gonna kick you in the ass And I once believed, like you once believed Like he once believed, like she once believed Like we all once believed, even the dog once believed Just look at all the dreams we've grown And I once grew up, like you once grew up And he once grew up, like she once grew up Even the dog grew up, see he's no more a pup We all want a little more meat on the bone
3.
Silky 05:07
It seems to me in retrospect that the things we said out of self-respect are the things that we now most regret And the things we did to compensate were done when it was far too late And it seems to me though I don't know why that forces stronger than you and I have changed us into strangers now Driven us into different corners now Given us different borders now And it comes to me as it came to you that none of us is guardian over what we do We move through life with our points of view Change direction without remorse Move away on a different course And when it comes to you as it came to me I hope it's enough of a legacy Enough to get you where you want to be Enough to keep you sheltered from All those changing winds that blow you on And it seems to me above all else that the games we played to find ourselves eventually made us lose ourselves And the things we said in confidence We shout them out at every chance And it comes to me as it came to you at a time when I really need nothing new It's the price you pay for passing through It's the measure that makes it forever real It's the way I am, the way I feel So it seems to me and here I have to say that none of this might have happened anyway If you and I had been just lovers say For with lovers, it's easy to fall apart But with friends it's not, with friends it's not
4.
Wastelands 05:28
So where's the option? You ask me with hope in your voice I hate to tell you but neither of us has got much choice Somehow we've ended up drifting on a stormy sea Me clutching onto you You clutching onto me And it wouldn't even matter if ours was liberal chatter Nobody's listening out for anguished cries Nobody's paying much for devious patter Dished up in the same old quaint disguise Out here where it's real We need a better deal Every man should feel life has purpose No, never worthless It's not funny any more They've nailed up the door with ridicule and scorn We're guilty of being born in a wasteland What about my daddy who fought in someone else's war? He's got no friends left waiting outside his door How do you suppose he feels now that his sacrifice made doesn't pay enough for the children to join the parade? And it wouldn't even matter if his was honourable chatter Nobody's listening for the truth these days Nobody's paying much for patriotic patter Dished up in the same old quaint rephrase Yes, there's an option and both of use know it's true If we can break down these barriers between me and you Somehow keep looking out for one another's needs Put trust back on the table and get up off our knees Then maybe it could matter Our collective chatter Maybe we could take ourselves home again 'Cause nobody's paying much for second-hand patter Dished up as the same old quaint refrain
5.
6.
Railway Room 04:34
In a railway room, it's suffice to say that lunatics breed like ants In a circus situation, they noisily station in their state-issued shirts and pants They come from a dead part of Eden Such clowns, such serious fools To be here in this ritualised bulletin To sit here and sharpen their tools They hang tea-bags from the ceilings Chinese ornaments on the walls Paint "Whites Only" signs, as a sign of the times If you're black, you get kicked in the elbow They sit midget-like, shivering in the corner Their arms punctured with the past But the dragon turns slowly to dust For the future has already been cast In a Railway Room In a railway room, it's enough that there's purpose in the colours that bounce off the walls If you're careful sometimes, when the cuckoo-clock chimes You can hear the waters that call All the bottled-up junkies The children of the passing moon There's a song that they sing for the derelicts Who find solace in a railway room In a Railway Room
7.
Crossroads 03:11
What does it matter? Who even cares? Some people got bullets growing out of their fears Oh, Crossroads, Crossroads Another place for tears Dreams full of nothing Palaces of tin Some people got answers for the state that we're in Oh, Crossroads, Crossroads Another day begins What does it matter? Who even cares? Some people got visions Not everybody shares Oh, Crossroads, Crossroads
8.
Habit Game 03:09
Funny how lovers turn into sisters and brothers Hang onto one another through the thick of it all Cement their living with taking and giving What the hell else are they supposed to do? Caught up in a game without a point of view The habit game, habit game, habit game Funny how lovers compromise with each other Put up with one another for the sake of the children For the sake of the family, it's so crazy but really What the hell else are they supposed to do? Trapped like captives in a human zoo Playing the habit game, habit game, habit game But some declare themselves to know that what exists between the status quo Be nothing more than just a bore A social chore that goes on and on and on But let's suppose in passing thought that we could ignore what we've been taught That when it reaches that stage when love comes of age We can turn that page and read on and on That life without a wife may be better than love without life (At least it's something) But it's funny how lovers turn into middle-aged monsters Put up with one another though the magic is dead Kill the suspicion about each other's condition They've been doing it for so long it become a way of life It's enough that they're together as a husband and wife Playing that habit game, habit game, habit game
9.
Come Instance bring Your wild-eyed brothers of different skins To find each other's Points of touch Linked arm in arm Feeding one another, bringing Dancing to the streets of the world Come ancient Joy You that lifts the heart The one you're with Become your part in the jigsaw game Linked arm in arm Oh, feeding one another, bringing Dancing to the streets of the world Come Gods of choice Dismiss your kings The new found voice of your people sings In this place called life Linked arm in arm Oh, feeding one another, bringing Dancing to the streets of the world
10.
I once believed in idyllic condition and breaking promises was afternoon fun Now I've grown up, my head's been sewn up Do unto others as I would have myself done The game's a natural, no matter how you see it You learn the rules, you join a side It's all so comfy, enough to make you jumpy to know some muther's gonna take you for a ride Don't despair There's a lot of us out there We're the army of winners and losers Don't be sad, oh it's not so bad You see life, life's a jungle And we're the animals running around Oh, kicking up the dusty ground I once believed in the perfect condition and people catching was my afternoon sport And now I've gown up, I better own up Look in my basket, see how many I've caught The games a cinch, no matter how you see it You place your bets, you join the race Oh, it's all so goofy, it's all so spooky Knowing some mother's going to push you in the face I once believed in the dream condition and breaking promises was afternoon fun Now I've grown up, my head's been sewn up Who cares at all about the damage done? Oh, the game's a natural, no matter how you see it You either join in or you let it pass It's all so relative, enough to make you negative To know so muther's gonna kick you in the ass And I once believed, like you once believed Like he once believed, like she once believed Like we all once believed, even the dog once believed Just look at all the dreams we've grown And I once grew up, like you once grew up And he once grew up, like she once grew up Even the dog grew up, see he's no more a pup We all want a little more meat on the bone
11.
So where's the option? You ask me with hope in your voice I hate to tell you but neither of us has got much choice Somehow we've ended up drifting on a stormy sea Me clutching onto you You clutching onto me And it wouldn't even matter if ours was liberal chatter Nobody's listening out for anguished cries Nobody's paying much for devious patter Dished up in the same old quaint disguise Out here where it's real We need a better deal Every man should feel life has purpose No, never worthless It's not funny any more They've nailed up the door with ridicule and scorn We're guilty of being born in a wasteland What about my daddy who fought in someone else's war? He's got no friends left waiting outside his door How do you suppose he feels now that his sacrifice made doesn't pay enough for the children to join the parade? And it wouldn't even matter if his was honourable chatter Nobody's listening for the truth these days Nobody's paying much for patriotic patter Dished up in the same old quaint rephrase Yes, there's an option and both of use know it's true If we can break down these barriers between me and you Somehow keep looking out for one another's needs Put trust back on the table and get up off our knees Then maybe it could matter Our collective chatter Maybe we could take ourselves home again 'Cause nobody's paying much for second-hand patter Dished up as the same old quaint refrain

about

Marcus
Written for a friend who flew off to India, armed with a surfboard and a one-way ticket. An example of how renegade Afro/Country/Reggae manifestations of nonsensical nebulosity refuse to stay buried.

Perfect Condition
I once found myself sans job, swindled out of thousands, thrown in the street and generally ledge-prone. In the nick of time, the importance of pain was realised and this little existential number came up for grabs. For the makers of Kritz Hair-All.

Silky
Another song from around the same period, which does not necessarily mean the year was in any way memorable, but merely that I was mentally over-active, and somewhat committed to honesty. For Pete.

Wastelands
This one's for Paul Simon.

Straightjacket Stomp
An instrumental ditty and yet another example of how out of hand things can get, when propelled by a fascination that borders on the ridiculous.

Railway Room
Dedicated to winos, junkies and voops everywhere, this song, written at the height of bureaucratic excursion, lays claim to my "homeward through the haze" anthem.

Crossroads
An observation of how helplessly insignificant we all are in the shadow of bull-dozed purpose. Not so much a cry, but a sigh of shame.

Habit Game
With respect to habitude in general, I ask that own conclusions be drawn on this one, but offer the thought that what feels good, might not necessarily be good. A low-budget Gondola song, this is my final solution for cupid.

Dancing in the Streets of the World
When this was written in 1976, Soweto was on fire, and I attempted in my own humble way to summon the fire brigade. It's 1987, and I'm hoping they'll be here soon.

credits

released February 14, 2021

All Songs Composed, Published & Arranged by Syd Kitchen

Syd Kitchen – Acoustic & Electric Guitar, Percussion & Vocals
Marius Botha – Electric Bass, Harmony Vocals on "Marcus"
Kevin Gibson – Drums
Steve Robinson – Lead Guitar Solo on "Silky"

Recorded April '86 through February '87 at:
Soundcrew Productions, Westville - Engineer: Ron Selby
Redolfi Studios, Durban North - Engineer: Bruno Redolfi
Shifty Studios, Johannesburg - Engineer: Lloyd Ross

Mastered at Shifty Studios by Lloyd Ross
Produced by Syd Kitchen for Ultrazulcha Promotions
Cover Picture – René Tupper
Cover Concept – The Utensils
Photography & Art Direction – Barry Downard
Publicity & Continuity – Michael Cross

Although this album was conceived within the confines of a hopelessly inadequate budget, it is born with pride, and extreme gratitude to all who assisted with the delivery.

Special thanks go to Ron Selby, Barry Becker and Colin Shapiro, Chris Prior, Jeff and Mary Kearns at Coastal Music, Street Records, Kenny Henson, Janet Walsh, Steve Robinson, David Marks, 'Maritzburg Folk Club, Durban Folk Club and Owen Coetzer and Lloyd Ross for a magic mix. And jolly wet raspberries for Roddy Quin, Benjy Mudie, Dave Penhale, Steve Harris, Duncan Gibbon, Chris Kritzinger, Yazoo's, Michael Mantle, Marc Baily and David Basckin.

THERE ARE NO KEYBOARDS ON THIS RECORD.

Original Cat. No. Hairy 001
℗ © 1987 Hairy Guava Records
2021 Syd Kitchen Digital Archive Cat. No. KK01
ALTERNATE VERSIONS AVAILABLE EXCLUSIVELY ON BANDCAMP

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Syd Kitchen Durban, South Africa

Digital works from the archive of South African singer-songwriter and guitarist Syd Kitchen (1951-2011). Curated by Sharp-Flat Records.

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